{"title":"Records","description":"","products":[{"product_id":"dark-arts-reflections-in-a-rear-view-mirror","title":"Dark Arts - Reflections in a Rear View Mirror","description":"\u003cp\u003eCentring on the work of Stephanie Payne, who conceived Dark Arts with friends in Columbus, OH, 1983, and remains its sole member, ‘Reflections in a rear view mirror’ supplies a necessary overview of the act between their 1991 debut album and occult ambient practice of 2008. Theirs is a classic tale rooted in a medium-sized town, where music and its associated culture provided a portal for youthful energies to sync in and drop out; from playing in Toy Division - a Joy Division covers band using toy instruments - to DJing and booking bands at the local “cool” venue, Crazy Mama’s; and eventually signing off a letter and demo to Steve Albini, who would sign their first 12”, ‘A Long Way From Brigadoon’ to his Ruthless Records in 1985. From here they would play support for Big Black, and their influences only grew to encompass krautrock, ambient, folk, and spiritual musics, leading o the conception of the band heard on this record.\u003c\/p\u003e\n\u003cp\u003eSpanning 10 songs shuffled anachronistically, the set skates the timeline from material recorded in 1989 that ended up on ‘Carnival Of Lost Souls’, including the sleepwalking neofolk of ‘The More Things Stay The Same’ and the ruby red kiss of ‘Chemia’, to what sounds like Berntholer or a Tuxedomoon instrumental in the chamber-like arabesque ‘Fragments of a Smile’, her etheric B-side dirge ‘Grey Eyes Is Glass’, and the mulky ambience of ‘Lament’, which all come from the mid ‘90s, and thru to with more quizzical and esoteric developments with the possessed scenes of 2008’s ‘Memory of a Dream’ and the folksy, proto-Larping regression of ‘Golden Fond Memories’. Were it not for Stroom these songs and this vibe may have remained neglected, overlooked by the history books but, now presented in this context in 2020, the Dark Arts endure due to quality of their spell casting.\u003c\/p\u003e\n\u003cp\u003eLabel: Stroom\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40809703604389,"sku":"","price":19.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits56.jpg?v=1637250583"},{"product_id":"angel-bat-dawid-tha-brothahood-live-1","title":"Angel Bat Dawid \u0026 Tha Brothahood - Live","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRebellious, charged spiritual jazz that holds a mirror up to Berlin, reflecting the city's unreasonable treatment of Black people. Cathartic, uplifting and simmering with rage.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn November 2019, Angel Bat Dawid and her band Tha Brothahood traveled from Chicago to Berlin for JazzFest. Tragically, vocalist and instrumentalist Viktor Le Givens had passed out on the street and been robbed, ending up in hospital. When Angel reached Berlin with the rest of the band, she was passed the message that unless they could find a replacement, their fee would be reduced. This set the tone for the rest of the trip, where the group of Black musicians were greeted with constant stares, repeated micro-aggressions and suspicion from the German city's majority white inhabitants.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut they persevered, and the band's performance was considered by Angel to be among their best ever, charged with attitude and struck through with rage-in-process. This recording documents the entire thing, opening with a racist incident at Berlin's Duke Ellington Hotel (seriously) before tracking through a lifted selection of spiritual jazz experimentation from a troupe of Chicago's finest players. Human and electric, the set reflects the power of Angel's composition and conducting and stands as a crucial document of a historic moment for the band. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel: International Anthem Recording Co.\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40857635848357,"sku":"","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits47.jpg?v=1637250083"},{"product_id":"carlos-nino-friends-more-energy-fields-current","title":"Carlos Niño \u0026 Friends - More Energy Fields, Current","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMore Energy Fields, Current\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eis a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on \u003cem\u003eMore Energy Fields, Current \u003c\/em\u003ethan anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: International Anthem Recording Co.\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40857838452901,"sku":"","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits40.jpg?v=1637249981"},{"product_id":"benjamin-lew-le-personnage-principal-est-un-peuple-isole","title":"Benjamin Lew - Le personnage principal est un peuple isolé","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCompiled by Brecht Van Dingenen and Ziggy Devriendt, ‘Le Personnage Principal Est un Peuple Isolé’ unfurls a sublime drift through Benjamin Lew’s singular sound world, where crystalline, analog computerised electronics meet a plethora of instrumental voices from the early ‘80s Belgian firmament; including among them his Tuxedomoon collaborator Steven Brown and Blaine L. Reininger, plus Vini Reilly, Marc Hollander, Samy Birnbach and many more. We long suspected that Stroom would apply their expert curatorial skills to Lew’s oeuvre and its safe to say the results do not disappoint, surveying Lew’s music in all its stately, esoteric, and worldly splendour. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Benjamin Lew was an enlightened amateur, in the noble and almost Renaissance-like sense of the word: he dabbled with equal grace in photography, writing, visual arts ... and worked part-time as a cocktail mixer in a tropical bar which was one of the favourite watering holes of Brussels’ thriving artistic community of the early ‘80s. Tuxedomoon had just moved to Brussels, and Steven Brown was among the many musicians, designers \u0026amp; artists who patronized the bar. Benjamin had a secret passion: he wasn’t a musician, but had acquired a small analog computer, with which he had started creating these strange mysterious little pieces. Benjamin played them to Steven and asked him if he’d agree to record with him. Steven was taken with them and accepted. The Douzième Journée was largely created in the studio by both protagonists, with the help of Gilles Martin and myself, in the spring of ‘82. Listening to his albums (he went on to record four more with Crammed) is like embarking on a dream journey to the Sahara or the Far East. You’d think that some of the pieces feature non-European musicians or samples but: no... this is just Benjamin’s imagination, his synths, and his friends…” Marc Hollander, Feb. 2019”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel: Stroom\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40857844842661,"sku":"","price":19.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits38.jpg?v=1637249924"},{"product_id":"dorothea-paas-anything-cant-happen","title":"Dorothea Paas - Anything Can't Happen","description":"\u003cp\u003eAnything Can’t Happen is the long-awaited debut album from Dorothea Paas, a Canadian singer-songwriter. For over a decade, Paas has played her unique, prismatic style of folk songcraft for audiences across North America, and lent her talents as a guitarist and vocalist to artists like Jennifer Castle, U.S. Girls and Badge Epoque Ensemble. The songs on this album have been through a near-infinite number of forms – Paas has played them solo and with a full band, electric and acoustic, at house shows and in sold-out venues. they manage to fit inside each context, like water taking the shape of its container.\u003c\/p\u003e\n\n\u003cp\u003eAll of this makes \u003ci data-mce-fragment=\"1\"\u003eAnything Can’t Happen\u003c\/i\u003e feel far more mature and complex than a debut album. It’s a statement of purpose, a next step ina decade-long process of artistic growth and evolution, and a bridge between the DIY style of Paas’s previous cassette releases and amore refined studio sensibility. Recorded in studios in Hamilton and Toronto, and mixed by Max Turnbull of Badge Epoque and U.S. Girls and Steve Chahley, these songs bring a diverse range of musical influences into conversation: inflected with the layered reverberations of Grouper, shot through with the piercing harmonies of the Roches, electrified with the searing energy of Sonic Youth.You can hear Neil Young in the grittiness of the title track’s guitar; Joni Mitchell’s Hejira in the album’s lyrics, Fairport Convention in Paas’s voice. The influence of Stevie Wonder - one of Paas’s greatest musical role models - is present too, in the album’s conceptual foundations.\u003c\/p\u003e\n\u003cp\u003eLabel: Telephone Explosion\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40857848184997,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits37.jpg?v=1637249923"},{"product_id":"the-zenmenn-enter-the-zenmenn","title":"The Zenmenn - Enter The Zenmenn","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReturning with another debut album for 2021, Music From Memory introduce a new band, The Zenmenn, with their first ever release ‘Enter The Zenmenn’. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhilst little about the band is made known, their work is described by writer Winton Rousseau as an “experiment in harmonic convergence emerging from a deep respect for cosmic symmetry and a resistance to the prevailing Zeitgeist.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘Enter The Zenmenn’ sounds as old as it sounds new, as organic as it is electric, as harmonic as it is rhythmic, and the album’s fusion of different palettes, colours, tempos, instruments and sources offer a harmonious balance and unity that already feels like the perfect soundtrack to a better world. In a time of what they see as spiritual neglect, it offers a “human kind of stillness” through the “dualistic fusions of complexity and simplicity, mystery and clarity and East and West”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Music From Memory\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40862971723941,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits35.jpg?v=1637249897"},{"product_id":"rex-ilusivii-in-the-moon-cage","title":"Rex Ilusivii - In The Moon Cage","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStunning, revelatory set of sweeping electronic composition by the late Mitar Subotić, a.k.a. Rex Ilusivii (The King of Illusions), dug out by Salon Des Amateurs resident Vladimir Ivkovic to mint his Offen Music imprint.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'In The Moon Cage' captures six lush and spellbinding shots of previously unheard material realised by the Serbian producer circa 1988, framing a vast, digitally-rendered world perfused with Eastern-enchanted vocals, amorphous synth scapes, balearic bird calls and plangent ambient guitar work tripping lines between abstract, esoteric styles best associated with Coil, Muslimgauze, or even JG Thirlwell.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLike many other listeners, this is our first introduction to the work of Subotić, who was born in the Former People's Republic of Yugoslavia before latterly transferring his lauded production skills to Brazil, where he died in a studio fire in 1999 on the eve of release for his 'São Paulo Confessions' LP as Suba.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat remains with 'In The Moon Cage' marks him out as a sorely missed talent, mixing classical training and a keen taste for cutting-edge sounds with a timeless spirit, manifest in a spatially diffuse, yet intensely emotive and detailed sound. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel: Offen Music\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40862974738597,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits33.jpg?v=1637249870"},{"product_id":"vazz-cloud-over-maroma","title":"Vazz - Cloud Over Maroma","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStroom zoom in\/out on Vazz’s precious post punk zingers and solo piano postcards with a compilation drawing from their distinct Glasgow and Edinburgh periods, containing some of the finest, barely-known melancholy wave-pop of the era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow following the release of a Vazz \/ Hugh Small collection ’Submerged Vessels And Other Stories \/ Piano Music’ in 2017, Stroom and Forced Nostalgia have cooked up ‘Cloud Over Maroma’ to function both as a refresher and primer to Vazz’s music, shuffling up a track sequence that takes in fizzy ohrwurms from their early years 1982-1987 under the grey skies of industrial Glasgow, and through to Hugh Small’s solo piano compositions written in the more mannered environs of Edinburgh, as well as by the mountains of Andalusia, Spain, where he moved in 2017 to get away from Brexit (and maybe sigh at leathery brit OAPs shooting themselves in both feet, blaming it on kids, and queuing outside the hospital).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNot sure we’ll ever get over those early Vazz tracks and they naturally make up the big highlights here, notably the keeling swoon of ‘Cast Reflection’ - one of our all time favourite tracks of the era - and the shadow shimmy of ‘Lost Time’, but also the lush strokes of ‘Breath’ from their debut 7”. Those tracks are all strewn across the record, shuffled with the elegant style of Hugh Small’s solo work dating from 2010 to 2018, ranging from the Cézanne-inspired motif of ‘Cloud Over Maroma’, so named after the mountain outside Hugh’s window, to the echoes of Andalusia’s Muslim past that creep into ‘Mezquita (Part 2)’ and the lofty air of ‘Ritual’, his wistful love note to Edinburgh. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel: Stroom\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40863045550245,"sku":"","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits27.jpg?v=1637249777"},{"product_id":"spirit-form-spirit-form-lp","title":"Spirit \u0026 Form - Spirit \u0026 Form LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpirit \u0026amp; Form is the brainchild of co-conspirators David Edren and Bent Von Bent, who both released solo- albums as DSR Lines and Ōgon Batto, respectively. S\u0026amp;F is a next step in their path of exploring various works of output. This new project breaks their initial setup of improvisation to explore a more compositional modus operandi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSpirit \u0026amp; Form unfolds a rippling waterfall, an oceanic wave of sequenced sound to safeguard against the drowning of a city-stressed soul. Like a spa for the brain, relaxing your meditation muscles with melodies of deep dreams and high hopes. A digitech video ad for a coconut-flavored aperitivo with ice-tickling images, new age flavors, fluorescently-lighted polygon meshes and deepdark shading. \u2028Well, all these spirits are taking new form here; electronic exotica and slow burning ambient prepared from a deep-felt love for specific vibes and spaces. A very personal and perfectly paced soft swinging masterpiece.\u003c\/p\u003e\n\u003cp\u003eSpirit \u0026amp; Form is inspired by growing up in the 80's and 90's and all that this includes and inflicts; tv news intros and animated series, never ending ambient adventures and first person gaming, office clerk cubicles and its vestimentary code, hair highlights and glossy textiles, rompler synths and video manuals, digital high sheen and synthesized reality.\u2028 All this in perfect harmony with nature's high frequencies and its effect on mood and composure, like calmness in the eye of a storm.\u003c\/p\u003e\n\u003cp\u003eLabel: Jj Funhouse\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40863128813733,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits24.jpg?v=1637249792"},{"product_id":"k-leimer-a-period-of-review","title":"K. Leimer - A Period Of Review","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the third installment in RVNG Intl.’s archival series, the tape is wound back to 1970s Seattle, home place of ambient music savant K. Leimer. \u003cem data-mce-fragment=\"1\"\u003eA Period of Review (Original Recordings: 1975 – 1983)\u003c\/em\u003e unearths unreleased portions of Leimer’s vast archives and highlights the work of a self-taught visionary whose use of generative compositions ferried his music to infinite resonance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKerry Leimer was born in Winnipeg, Canada. He was raised in Chicago before his family permanently settled in Seattle in 1967. Kerry’s teenage interests and artistic experiments blossomed from the seductively strange tendrils of Dadaism and Surrealism. In the early 70s, Leimer found musical parallels to these visual movements by studying backdated copies of \u003cem data-mce-fragment=\"1\"\u003eNME\u003c\/em\u003e and \u003cem data-mce-fragment=\"1\"\u003eMelody Maker\u003c\/em\u003e and inquiring with local record store clerks about the exotic descriptions he read of Can, Neu! and Faust– innovators who were bringing the wild dictates of 60s art-discourse into music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eA Period of Review\u003c\/em\u003e\u003cspan\u003e focuses on unheard material outside of the work Leimer offered on Palace of Lights, though even that music could be considered relatively “unheard.” The thirty tracks of \u003c\/span\u003e\u003cem\u003eA Period of Review\u003c\/em\u003e\u003cspan\u003e may have remained a mystery on moldy reels until now, but Leimer’s entire catalog of generative music remains pristine in its absolute power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel: RVNG \u003c\/span\u003eIntl. \u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40863155159205,"sku":"","price":21.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits20.jpg?v=1637249631"},{"product_id":"masayoshi-fujita-stories","title":"Masayoshi Fujita - Stories","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Stories” is the first vibraphone solo album by Berlin-based Japanese artist Masayoshi Fujita, also known as El Fog and for a collaboration project with Jan Jelinek. This quietly exquisite album by Fujita is like a book of illustration, painting 8 delicate pictures of small stories about the nature we are embracing….cloud, forest, river, swan and morning dew….things that we are all so familiar with, but yet find so quaint.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMasayoshi Fujita’s style of solo vibraphone is inspired by classical and jazz music. In this beautiful album, in addition to some gorgeous strings, he introduces some ingenious ideas in making unique sounds, like the usage of beads and aluminum foil on his vibraphone, like a prepared instrument. As such, “Stories” is a wonderful result of the beautiful vibration (of which the name Vibraphone came from) of all the delicate sounds produced in this album. They are poetic, they are melancholic, and they are lushly emotional.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel: Flau\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40863192121509,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits18.jpg?v=1637249624"},{"product_id":"raymond-richards-the-lost-art-of-wandering","title":"Raymond Richards - The Lost Art of Wandering","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn the late 90’s, east-side LA was in the throws of a post-indie explosion; a network of stoned bands ranging from neo-psychedelia to pseudo-country overran Spaceland (our generation’s Troubadour) and the local Silverlake Lounge. I was playing freakbeat records twice a week in dive bars, half of Spacemen 3 was crashing at my house (my drop-out roommate was Sonic Boom’s tour drummer) and it was during this blur that I met Raymond Richards, a clean-cut all-American pedal steel guitarist playing in Mojave 3 (the country-tinged 4AD side project of shoegaze royalty, Slowdive). I was instantly swept off my feet, head over heels in love with Raymond's weeping tone — the most chill-inducing, emotionally responsive dialog I’d had with music since discovering Satie as a child — it was then and it is now, truly haunting. After a year of personnel trials, my roommate and I stole Raymond for our own band, and not only did he smother our songs with his enchanting steel, he was virtuosic with a variety of atypical instruments such as baritone guitar and theremin, he utilized them all. The band was short-lived — I split to jam with Ariel Pink, Raymond fled to Portland, then me subsequently to New York City — but in founding the ESP Institute years later, there was always a recurring mental note; \"we must make Raymond’s pedal steel album\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e.\" I had managed to wrangle his blessed performance on a remix for Project Club’s 'El Mar Y La Luna', but it took almost a decade until I once again wore the producer hat and we began working on 'The Lost Art Of Wandering', a title borrowed from Sam Shepard’s 'Stories'. Spiritually candid, expansive yet enveloping, this is the strung-out, visceral country music that simply radiates from Raymond. Each song is his set of coordinates in a vast open terrain, holding a sentimental familiarity, a truthful longing for the simple comforts that diffuse life’s complications, a place to get lost. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e—Lovefingers, producer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: ESP Institute\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40863219351717,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits16.jpg?v=1637249604"},{"product_id":"e-ruscha-v-who-are-you","title":"E Ruscha V - Who Are You","description":"\u003cp\u003eE Ruscha V \/ Secret Circuit (née Edward Joseph Ruscha V), a sometimes sage known and beloved throughout the Los Angeles creative community. With a core psychedelic aesthetic, it’s a band composed of one basic member and various guests, where free music was expressed. It’s music that channels the cosmic, jam-disco, soul, funk and jazz.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eWho Are You\u003c\/i\u003e is the first full-length release by Eddie Ruscha under his given name since donning the Secret Circuit guise in 2010 to administer an electronic antidote to the psychedelic \/ shoegaze dirge that dominated his formative music-making. Between Secret Circuit’s two 12” EPs and a colossal full length,\u003ci\u003e Tactile Galactics\u003c\/i\u003e, on Beats In Space in 2013 and now, Ruscha has remained wildly prolific producing unfathomable four-on-the-floor formulas for the best and brightest labels outside of Space.\u003c\/p\u003e\n\u003cp\u003eThe Secret Circuit hiatus suggests a return to self and an unmasked, untethered musical language, an approach Ruscha describes as “exploring melody that can mutate as different shades of beauty.” Rhythm plays a supporting role on\u003ci\u003e Who Are You\u003c\/i\u003e, an album with less concern over club constrictions and more contemplation of open, unbound spaces, areas in which Ruscha sees the music capturing “the feeling of a lost day.”\u003c\/p\u003e\n\u003cp\u003eLabel: RVNG Intl. \u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40863244124325,"sku":"","price":20.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits14.jpg?v=1637249688"},{"product_id":"merope-salos","title":"Merope - Salos","description":"\u003cp\u003eHaunting Lithuanian folk songs and choral works from Merope, latest lambs to the Stroom flock shepherded by Ziggy Devriendt aka Nosedrip.\u003c\/p\u003e\n\u003cp\u003eImmediately calling to mind strains of the Fonal label circa the mid ‘00s (Islaja, Paavoharju, et al), and likewise lilting, worldly traces of the label’s NSRD\/Hardijs Lediņš releases; ’Salos’ is a very non-Sadian suite of pastoralism from the top shelf of Lithuanian music. It’s an effortlessly enchanting listen that never tests the listeners’s patience, carrying us through seven immaculate scenes centred on the lead voice of Indrė Jurgelevičiūtė, and harmonised with the Vilnius Municipal Choir Jauna Muzika, known for their performances of Arvo Pärt’s music.\u003c\/p\u003e\n\u003cp\u003ePerhaps most intriguing is the inclusion of American Pakistani multi-instrumentalist Shahzad Ismaily lending electric piano to the fractal bliss of ‘El Dvipa’ and  wistful dreaminess of ‘Luliomoj’ that bookend the set, but if any one song should make you fall for them, try the melt-on-mind delicacy of ‘Vilnia’ and go from there.\u003c\/p\u003e\n\u003cp\u003eLabel: Stroom\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40863257395365,"sku":"","price":16.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits12.jpg?v=1637249632"},{"product_id":"lemon-quartet-crestless","title":"Lemon Quartet - Crestless","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the American midwest, the two weeks or so in mid-Spring that brings the year’s most vibrant crop of edible mushrooms coincides with the busiest season for a few of its most deceptively poisonous fungi: the false morels. Bearing a pale stalk and a halo of cerebral folds, they look like a lot of similar mushrooms, but if you can’t identify them for what they are, and treat them the right way, consuming even small quantities can cause vertigo, vomiting, and organ failure. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLemon Quartet weren’t thinking about mushrooms when they made their debut album Crestless, but the false morels still provide a window into understanding their music. Their intricately arranged instrumentals may look familiar at a glance—they have these ornate compositional ruffles and gilded melodies that feel full of warmth and nostalgia—but there’s this deep, dark something hiding in the record’s shadowy corners. It’s not poison though, just a mycelial complexity that begs that you take each piece and study its contours as you take and eat. The work that you put in makes it feel all the more nourishing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Last Resort\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40864011649189,"sku":"","price":16.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits11.jpg?v=1637249636"},{"product_id":"kenji-kihara-scenes-of-scapes","title":"Kenji Kihara - Scenes of Scapes","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKenji Kihara is a musician based in Hayama, Japan, a place surrounded by nature near the sea and the mountains. Kenji makes field recordings around his home and integrates these into his lush, drifting compositions. He says, “I am making music as an inspiration for seasonal change, day to day importance.” Kenji imbues his compositions with the tone and timbre of the landscape of his home. There is acute attention to make all of the pieces breathe as elements come in and out, ebb and flow. There is a reverence for natural beauty and the natural pace of the non-human world. While not all of the compositions on this collection are in dialogue with summer, it is still fitting to release the album in summer as it it bookended with two pieces evocative of a warm breeze on a light summer evening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Inner Islands\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40864022429861,"sku":"","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits10.jpg?v=1637249509"},{"product_id":"john-carroll-kirby-conflict","title":"John Carroll Kirby - Conflict","description":"\u003cp\u003eJohn Carroll Kirby follows up his Stones Throw debut \u003cem\u003eMy Garden\u003c\/em\u003e with a vinyl release of a collection of ambient pieces for piano. For fans of: Nils Frahm, Max Richter, Ólafur Arnalds, Brambles, Jóhann Jóhannsson, William Basinski, Peter Broderick, Rafael Anton Irisarri and more.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConflict\u003c\/em\u003e is an album on inviting peace in from pianist, producer and composer John Carroll Kirby. Intended as a balm for this time of crisis, \u003cem\u003eConflict\u003c\/em\u003e aims to provide a welcome opportunity to step away from the breakneck pace and profound anxiety of the news cycle and take a moment instead to listen and reflect. Released digitally at the height of the pandemic in 2020, this soothing compilation of keys and winds of ambience is now available on vinyl.\u003c\/p\u003e\n\u003cp\u003eLabel: Stone's Throw\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40864092782757,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits9.jpg?v=1637249482"},{"product_id":"prins-emanuel-vhassal","title":"Prins Emanuel - Vhassal","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAfter excursions into leftfield disco and folk-jazz meditations, Vhassal is Prins Emanuel’s third longplayer. Whereas his first lp oozed youthful carelessness and euphoria and the second one takes on a more visceral note, this album breathes hope and sentimentality. It will come as no surprise that the part time fruit picker from Malmö became a father in the meantime. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStill, Vhassal feels like a natural follow-up to predecessor Diagonal Musik. Essentially, it’s minimalism with plenty of surprises and the album showcases a delicate mix of instrumental proficiency and a keen sense of space. The medieval dance tempos are garnished with drum computers, and despite the synthetic sounds of the machines, all the songs have a very intuitive and organic feel, striking in some way as a culmination of PE’s previous albums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Jj Funhouse \u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40864110477477,"sku":"","price":18.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits8.jpg?v=1637249478"},{"product_id":"irena-and-vojtech-havlovi-melodies-in-the-sand","title":"Irena and Vojtěch Havlovi - Melodies in the Sand","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMelody As Truth presents “Melodies In The Sand”, a collection of works from Czech artists Irena and Vojtěch Havlovi. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe husband-and-wife duo began working together in the mid 80’s as part of experimental ensemble Capella Antiqua e Moderna, a unique association of musicians whose repertoire spanned various styles of European classical music. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith an inventive and unorthodox approach to both historical and modern compositional techniques and interpretive procedures, the Havel’s have steadfastly developed a unique and musically autonomous language which continues to expand to this day. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpanning their early work in Capella Antique e Moderna to recent pieces recorded for Viola De Gamba, ‘Melodies In The Sand’ is presented to the listener with the simple aim of shining a light on these incredible musicians. Their work has within it the ability to penetrate and enrich the innermost corners of a perceptive human soul, a gift which they share with sincerity and humbleness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Melody As Truth\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40864129810597,"sku":"","price":19.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits7.jpg?v=1637249440"},{"product_id":"jason-kolar-modified-perspectives","title":"Jason Kolàr - Modified Perspectives","description":"\u003cp\u003eDream label Stroom induces lushest late night feels with Jason Kolàr’s ‘Modified Perspectives’, the label’s first release of original, contemporary - as opposed to vintage, archival - music, following a string of much celebrated ’70s\/‘80s\/‘90s pearlers.\u003c\/p\u003e\n\u003cp\u003eRecorded in the artist’s apartment during 2017, Modified Perspectives is presented by Kolàr as “a hidden place between science and magic. 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As such there’s a rare authenticity of authorship to ‘Time Together (Hues \u0026amp; Intensities)’ that feels experiential, rather than pasted on or worn like some “boho” festival outfit, and likewise that rooting or immersion in folk-pop allows Susannah to best mess with the form from the inside-out, locating something new and timelessly vital in archaic styles.\u003c\/p\u003e\n\u003cp\u003eCompiled by Stroom’s label shaman Ziggy Devriendt from songs written 2017-2020, the album unfurls the “Hues \u0026amp; Intensities” of the title between pagan paean ‘Saturn’ and more experimental urges on ‘Dear Beloved Friend’, deftly using her shapeshifting vocals as a common but elusive thread between the were-like apparitions channelling early Christian mystics in ‘Reprise’, and the plaintive beauty of ‘This Is For Us’, before taking centerstage in moonlit glade scenes that turn psychodramatic in Remind You’, and follow to probe more curiously modern sort of folkdance magick inspired by ancient Hindu scripture in ‘Can Of Worms’, and joined by what sounds like Raime and Cindytalk describing the wild Scottish landscapes in the finale ‘Unnatural Wealth’.\u003c\/p\u003e\n\u003cp\u003eLabel: Stroom\u003c\/p\u003e","brand":"BMS Records","offers":[{"title":"Default Title","offer_id":40864225231013,"sku":"","price":19.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/7296\/2213\/products\/BMSRecords_portraits4.jpg?v=1637249380"},{"product_id":"sam-mcclellan-music-of-the-five-elements","title":"Sam McClellan - Music of the Five Elements","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eBrandon Hocura’s Séance Centre pull out Sam McLellan’s sublime 1982 new age opus Music Of The Five Elements for this invaluable first vinyl reissue. Devised as ‘healing music’ designed to “balance the energy levels of the body”, this, the first of three sought-after volumes, borrows from the ancient Chinese philosophy of medicine now used in acupuncture, to riff pentatonic on guitar, synth, piano and ciao (Chinese flute) in a seamless, rolling suite best consumed in one go for best effect. The A-side is focussed on the cyclical guitar strums, while a much stronger 2nd side focusses deeper on the synth, keys and vocal treatments.\u003c\/p\u003e\n\u003cp\u003eAcupressurist and electronic composer Sam McClellan's Music of the Five Elements is a work of perfectly tuned healing music. A deeply felt distillation Minimalism (in the Tony Conrad \/ La Monte Young school), American Primitive guitar (Fahey \u0026amp; Basho) and even psychedelia. The album is a continuous sound voyage for voice, synthesizer, guitar, bowed bass, piano, effects and ciao (Chinese flute) all played by McClellan himself. 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